Landscape Of Traces / XRANGE Architects
Text description provided by the architects. The Railway Department Park, part of the National Taiwan Museum, occupies a site that carries 130 years of Taiwan’s urban transformation. The first railway of Taiwan originated here during the Qing Dynasty to service the Machinery Bureau, which manufactured weapons. It later became the Taipei Artillery Factory and the Taipei Railway Factory in 1900. The site sits adjacent to modern-day Taipei Main Station, the transportation hub for both the city and northern Taiwan. Designated as a national historical monument, the museum park is one of the green focal points in the ambitious Taipei West District Gateway Project. This urban renewal masterplan stretches across almost a third of downtown Taipei.
Over the past century, many “versions” of the site have survived only by rudimentary maps and records. The Japanese mostly did industrial service sites and constructions on the compound in utilitarian and haphazard ways. Buildings were organically packed together and very roughly aligned. Some buildings were attached directly to the Qing Dynasty compound walls, cutting windows from the 60 cm thick rubble wall. As the railway hub for over a century, the Railway Department Park’s insouciant past of politics, war, industry, and urban growth draws historians, rail fanatics, and citizens to its storied ground.
The “Landscape of Traces” design concept envisions past transformations on the site as historical imprints or urban traces to be revealed to the public. Archaeological reconstruction was meaningless and impossible as part, or most of the historical remains had already been permanently dug up to make way for train tunnels under the site. In addition, there exists no precise information from which to reconstruct.
The “blurred,” “gradient fade,” and “fuzzy edges” landscape design language becomes a strategy for approximations as far as they were known without claiming absolute positions. Traces of past buildings, structures, and railway tracks are represented as blurry, lo-fi imprints on the museum grounds; their overlaps and collisions tell the stories of over a century of growth and transformation here.